Next month, the Italy Blogging Roundtable will celebrate our first anniversary. Jessica, Alexandra, Gloria, Rebecca, and I have enjoyed tackling a new topic each month, and we’ve especially enjoyed hearing from readers. In fact, we were so pleased with how our last invitation went for bloggers to join us at the Roundtable that we thought we’d extend another! This month, not only is the Italy Roundtable topic INVITATIONS, we’re inviting anyone who wants to participate to blog about one of the past year’s Roundtable topics. Our invitation details are at the bottom of this post. Now on to the post…
Tag Archives | Arts and Culture
CulturaItalia, a website operated by the Italian Culture Ministry, is seeking your help in its efforts to document the Jewish contributions to Italian society over the past 150 years. As one of its many initiatives to mark the anniversary of 150 years of Italian Unity, CulturaItalia has teamed up with with Judaica Europeana, a Europe-wide project to gather digitized information “that documents Jewish presence and heritage in European cities and make them available on Europeana.” Europeana is the the online home of digital resources culled from Europe’s libraries, archives, and museum collections.
The name of CulturaItalia’s project is called, “The Star of David and the Italian Flag, Jews and the Construction of a United Italy.” Institutions as well as the public have been asked to help CulturaItalia with this project by submitting “digital files with stories, texts, photographs, letters, postcards, illustrations and drawings, audio documents and short videos that tell of the Jewish culture in Italy in the last 150 years.” Suggested topics include:
- itineraries in the city
- arts and trades
- private life
- parties and ceremonies
- public events
- food culture
- literature and theatre
If you or your family have stories to tell, photos or art to share, or anything else that will enhance the understanding of Jewish contributions to Italy over the past 150 years, you are invited to submit your files through this online form. No doubt, this is a fantastic way to ensure the Jewish history of Italy lives on digitally so that future generations may learn and seek inspiration from it.
Last month, UNESCO inscribed Italy’s newest World Heritage sites: The Longobards in Italy. Places of the Power (568-774 A.D.). Treated as one entity, these seven sites stretch from as far north as Castelseprio, a small village in Lombardy where is located Santa Maria Fortis Portas and the castrum with the Torba Tower, to as far south as Benevento and its Santa Sofia church complex. All of these sites represent, according to UNESCO, “the high achievement of the Lombards, who migrated from northern Europe and developed their own specific culture in Italy where they ruled over vast territories in the 6th to 8th centuries.”
While the Longobard sites are the newest ones to be recognized by UNESCO, they are among the least well known of the many UNESCO buildings and sites in Italy, which now leads the world with 45. To learn more about each of the “Longobards in Italy” sites, including where they are, how to visit them, and the treasures they contain, visit Italia Longobardorum, the website of the group responsible for formally submitting these sites for UNESCO World Heritage consideration. You can also click on the links below for the individual sites:
- The castrum with the Torba Tower and the church outside the walls, Santa Maria foris portas. Castelseprio, Lombardy.
- The monumental area with the monastic complex of San Salvatore-Santa Giulia. Brescia, Lombardy.
- The Gastaldaga area and the Episcopal complex. Cividale del Friuli, Friuli-Venezia Giulia.
- The basilica of San Salvatore. Spoleto, Umbria.
- The Clitunno Tempietto. Campello sul Clitunno, Umbria.
- The Santa Sofia complex. Benevento, Campania.
- The Sanctuary of San Michele. Monte Sant’Angelo, Puglia.
The beauty of Italy has inspired countless artists through the years, including ones who live here in the United States. Today, I am profiling artist William Renzulli, who was moved to paint his ancestral home Castelnuovo della Daunia in Puglia after a family reunion visit in 2008 and who will soon be headed to Bologna to paint that city’s gorgeous medieval lines and curves as well as the landscapes of Emilia-Romagna. Continue Reading →
Today begins Culture Week throughout all of Italy. Through April 26, state-run museums will be open for free and many will be extending hours. Tons of special events and exhibitions are part of Culture Week. To see what’s on, visit the Italian Culture Ministry’s website.
Discovery.com recently reported that the master 16th century artist Caravaggio used a “camera obscura” among other techniques to trace the models in his paintings. According to a Florentine researcher, Caravaggio made use of a dark room, first described by Leonardo da VInci, and was able to fix the outline of his subjects in order to paint them.
It’s unclear whether the artist used or needed optical instruments to paint his famous scenes of food and banquets. These, of course, were the subject of a book we mentioned in an earlier post titled Caravaggio’s Kitchen by Gianni Ummarino. Several readers have written to us to ask how to obtain this book. We haven’t been able to find it on amazon.com or through other vendors. But we did find the author/photographer’s website. Go to ummarinoeummarino.com for more information.
Update! The title of the Ummarino book is 15 Ricette del Rinascimento (15 Recipes from the Renaissance) and can be ordered directly from Ummarino’s website.
Photo from Discovery, Inc.
If you’re not taking a trip to Rome, the former stomping ground and site of many works by Gian Lorenzo Bernini, don’t fret. Approximately 57 of the Baroque artist’s marble sculptures will be on display at the Getty Museum through October 26.
The highlight of the show, according to David Littlejohn in his Wall Street Journal article Living, Breathing Portraits in Marble from Bernini, is the bust of Bernini’s mistress Costanza Bonarelli.
“A sensuous bust of Bernini’s mistress Costanza Bonarelli is the most compelling work on display. The wife of one of his studio assistants, Costanza apparently shared her favors between Gian Lorenzo and his younger brother, driving the sculptor to violent fits of jealousy. But when he carved this instant, breathless image — for his own private devotion — he was clearly in thrall to her charms. Costanza is caught as if unaware, her chemise falling open over a very touchable breast, her eyes staring in shock and desire, her hair in lusty disarray, her ripely curved lips slightly open, revealing a bit of tongue.”
Other “portraits” in the exhibition include busts of Pope Urban VIII (Bernini’s primary papal patron), Pope Clement X, Cardinal Richelieu of France, and other European leaders. While the preview of some of the busts online may not astonish, I can assure you that viewing a Bernini up close will. Consider it homework before your next Roman vacation.