From Veronese to Futurism: Italian Art in the NYRB

The Family of Darius before Alexander by Paolo Veronese

The Family of Darius before Alexander by Paolo Veronese

I recently re-subscribed to the New York Review of Books and I’m glad I did. Besides providing some of the world’s most comprehensive and engaging book reviews, the NYRB often reviews art exhibits. In the latest Art Issue of the magazine, Andrew Butterfield reviews Veronese: Magnificence in Renaissance Venice, an exhibition running in London’s National Gallery through June 15, 2014; Julian Bell looks at two new books about Piero della Francesca in The Mystery of the Great Piero (subscription required); and Jonathan Galassi writes Speed in Life and Death (subscription), a piece that deals with Italian Futurism, 1909-1944: Reconstructing the Universe, an exhibition on view at NYC’s Guggenheim Museum through September 1, 2014.

There is also a poem by Michelangelo. Michelangelo’s note To Giovanni da Pistoia has appeared in many publications over the years, I’m not sure why it is being reprinted here. But the poem is always an illuminating read about the difficulties Michelangelo had in creating his most famous work.

Prodigious Veronese

A review of Veronese: Magnificence in Renaissance Venice at the National Gallery, London

“For much of the twentieth century Veronese was regarded more as a skilled purveyor of decorative finishes than as a profound master, and his reputation was in decline, but of late there are signs of renewed interest, which this show and its catalog will certainly do much to advance. Perhaps more than any other picture in the show, The Family of Darius before Alexander [part of the National Gallery's permanent collection] reveals his great strengths as a painter; it also makes clear why he can seem so foreign to common modern ideals of art and of the artist.” –Andrew Butterfield

Speed in Life and Death

A review of Italian Futurism, 1909-1944: Reconstructing the Universe at the Solomon R. Guggenheim Museum, New York City

“The Futurists wanted to sweep away what the poet Guido Gozzano called “le buone cose di pessimo gusto,” good things in the worst of taste, and replace them with an insolent, steely, polluting Machine Age. “Time and space ended yesterday,” Marinetti intoned. “We already live in the absolute”—that is, in a state of perpetual youth menaced only by death. “In every young man Marinetti’s gunpowder,” Vladimir Mayakovsky wrote. Marinetti not only wanted to end the monarchy and “de-Vaticanize”; he also argued for replacing the senate with an assembly of the young.” –Jonathan Galassi

The Mystery of the Great Piero

Reviews of the books Piero della Francesca: Artist and Man and Piero’s Light: In Search of Piero della Francesca: A Renaissance Painter and the Revolution in Art, Science, and Religion

“What more can we know about the artist, who died the day that Columbus landed in the New World and who for most of four centuries was nearly forgotten, only to reemerge as an indispensable fixture in modern schemes of art? The Met’s catalog ushers in Piero in the manner we have come to expect: he painted “magical pictures” that combine ‘intimacy and gravity,’ inspiring ‘a sacral awe.’ It points to his ‘almost primitive’ qualities and cites Aldous Huxley’s essay [PDF] of 1925 that names the Resurrection fresco in Sansepolcro as ‘the best picture in the world.’

“All this fits the occasion, but it mystifies. It makes it harder to imagine a human painter at work. Banker has been intent to reverse that process. To do so he has scoured the archives of Tuscany, Umbria, and the Marches. (Sansepolcro lies near the border of the three regions.) If, just possibly, he has been overzealous about tying up loose ends, he can nonetheless boast of personally discovering “over one hundred previously unknown documents specifically relating to Piero.” His methodology is sober and his inferences are toughly argued, and the result must surely count as a vitally important contribution to Piero studies.” –Julian Bell

Check out the New York Review of Books’s Art Issue for these and more reviews.

Adopt a Spire on the Milano Duomo

Aerial of Milano Duomo Spires

The Milano Duomo, an enormous Gothic cathedral that is recognizable for its 135 spires, is giving the public a chance to help with its upkeep. Like an “Adopt a Road” campaign, Adotta una Guglia (Adopt a Spire) is an initiative by the Veneranda Fabbrica to get locals, tourists, and businesses to help with the upkeep of the spires, which are topped with fragile statues of saints and angels.

According to Adotta una Guglia:

The Duomo could not exist without the people of Milan, nor could Milan exist without its cathedral, which gives the city its identity. This is why the population is being invited to share in an act of popular responsibility. All contributors will be recorded in the List of Donors of the Veneranda Fabbrica del Duomo di Milano, drafted in paper form and published online in the portal adottaunaguglia.duomomilano.it, obviously with the donor’s consent.

Donors who donate more than €50 can apply to receive a certificate of participation while top donors, those who donate more than €100K, will have their names engraved. (If you’re considering the latter, get in touch and let’s talk about adopting me…)

Browse on over to get a look at the map of the spires or the spire wall and learn how you can donate. The wall includes photos of the spires and has the names of the saints or angels represented. Also cool to note on the wall are the saints’ days, in case you want to make a donation to honor a loved one’s birthday.

As of now, the top three adopted spires are the Angel Pointing to Heaven, Archangel Gabriele, and Saint Cecilia. I wonder if anyone is going to adopt St. Napoleon?

h/t @moscerina

Photo: Milano Duomo

There’s Only One Rome

This well-produced vimeo short captures Rome quite well.

ROME. from Jeremy Janin on Vimeo.

I chose to put this 9-month-old vid on the blog today to let everyone know that my family is set to move to Rome this summer. It’s going to be a big, very busy year. But I’m looking forward to getting to the other side so I can share the Eternal City (and Italy side trips) with all of you.

Happy 2014, everyone! Buon anno!

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